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Gabriel Crouch
From: London, England. LA Opera: music director for Hildegard (2025, debut).
Gabriel Crouch is Director of Choral Activities and Professor of the Practice in Music at Princeton University. He began his musical career as an eight-year-old in the choir of Westminster Abbey, where his solo credits included a royal wedding and performances that placed him on the solo stage with Jessye Norman and Sir Laurence Olivier.
After completing a choral scholarship at Trinity College, Cambridge, he was offered a place in the renowned a cappella group The King’s Singers in 1996. In the next eight years, he made a dozen recordings on the BMG label (including a Grammy nomination), and gave more than 900 performances in almost every major concert venue in the world. Since moving to the USA in 2005, he has built an international profile as a conductor and director, with recent engagements in Indonesia, Hawaii and Australia as well as Europe and the continental United States.
In 2008, he was appointed musical director of the British early music ensemble Gallicantus, with whom he has released six recordings under the Signum label to rapturous reviews, garnering multiple editor’s choice awards in Gramophone magazine, Choir and Organ magazine and Early Music Review, and, for the 2012 release The Word Unspoken, a place on BBC Radio’s CD Review list of the top nine classical releases of the year. His recording of Lagrime di San Pietro by Orlando di Lasso was shortlisted for a Gramophone Award in 2014, and his follow-up recording, Sibylla (featuring music by Orlandus Lassus and Dmitri Tymoczko), was named a "star recording" by Choir and Organ magazine in 2018. His most recent release is Mass for the Endangered, a new composition by Sarah Kirkland Snider, released on the Nonesuch/New Amsterdam labels, which has garnered high acclaim from the New York Times, Boston Globe, NPR’s All Things Considered and elsewhere.
Gabriel Crouch is Director of Choral Activities and Professor of the Practice in Music at Princeton University. He began his musical career as an eight-year-old in the choir of Westminster Abbey, where his solo credits included a royal wedding and performances that placed him on the solo stage with Jessye Norman and Sir Laurence Olivier.
After completing a choral scholarship at Trinity College, Cambridge, he was offered a place in the renowned a cappella group The King’s Singers in 1996. In the next eight years, he made a dozen recordings on the BMG label (including a Grammy nomination), and gave more than 900 performances in almost every major concert venue in the world. Since moving to the USA in 2005, he has built an international profile as a conductor and director, with recent engagements in Indonesia, Hawaii and Australia as well as Europe and the continental United States.
In 2008, he was appointed musical director of the British early music ensemble Gallicantus, with whom he has released six recordings under the Signum label to rapturous reviews, garnering multiple editor’s choice awards in Gramophone magazine, Choir and Organ magazine and Early Music Review, and, for the 2012 release The Word Unspoken, a place on BBC Radio’s CD Review list of the top nine classical releases of the year. His recording of Lagrime di San Pietro by Orlando di Lasso was shortlisted for a Gramophone Award in 2014, and his follow-up recording, Sibylla (featuring music by Orlandus Lassus and Dmitri Tymoczko), was named a "star recording" by Choir and Organ magazine in 2018. His most recent release is Mass for the Endangered, a new composition by Sarah Kirkland Snider, released on the Nonesuch/New Amsterdam labels, which has garnered high acclaim from the New York Times, Boston Globe, NPR’s All Things Considered and elsewhere.