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Gary Marder
From: San Diego, California. LA Opera: Turandot (2024, 2027).
Long associated with San Francisco Opera, lighting designer Gary Marder has designed numerous productions there including Mefistofele, The Barber of Seville, The Flying Dutchman, La Traviata, Carlisle Floyd’s Susannah, Un Ballo in Maschera, Tosca, La Cenerentola, Carmen, Jenůfa, Bright Sheng’s Dream of the Red Chamber, Manon, Rigoletto, Turandot and Partenope. Recent engagements elsewhere include Tosca and Madama Butterfly for Washington National Opera, The Barber of Seville for the Lithuanian National Opera and Ballet, Dream of the Red Chamber for the Hong Kong Arts Festival and The Magic Flute for Opera Australia. He has designed La Traviata in Torino and Tokyo, The Makropulos Case and Samson and Dalila for Houston Grand Opera, Carmen, Peter Grimes and Norma for San Diego Opera and Dialogues of the Carmelites for Palm Beach Opera.
Long associated with San Francisco Opera, lighting designer Gary Marder has designed numerous productions there including Mefistofele, The Barber of Seville, The Flying Dutchman, La Traviata, Carlisle Floyd’s Susannah, Un Ballo in Maschera, Tosca, La Cenerentola, Carmen, Jenůfa, Bright Sheng’s Dream of the Red Chamber, Manon, Rigoletto, Turandot and Partenope. Recent engagements elsewhere include Tosca and Madama Butterfly for Washington National Opera, The Barber of Seville for the Lithuanian National Opera and Ballet, Dream of the Red Chamber for the Hong Kong Arts Festival and The Magic Flute for Opera Australia. He has designed La Traviata in Torino and Tokyo, The Makropulos Case and Samson and Dalila for Houston Grand Opera, Carmen, Peter Grimes and Norma for San Diego Opera and Dialogues of the Carmelites for Palm Beach Opera.