Rigoletto

She made her LA Opera debut in 2018 as Gilda in Rigoletto. In the 2017/18 season, Ms. Zaharia returned to the Deutsche Oper am Rhein ensemble where her roles included the title role of Lucia di Lammermoor, Konstanze in The Abduction from the Seraglio, Gilda in Rigoletto, and the dual role of Fire and the Princess in Suzanne Andrade’s new production of L’enfant et les Sortilèges. She made her Bavarian State Opera debut in the title role of Lucia di Lammermoor, her role and house debut as Elisabetta in concert performances of Roberto Devereux at Oper Frankfurt, and also returned to the Komische Oper Berlin as Pamina in The Magic Flute. Additional concert appearances include her debut at the George Enescu Festival, where she performed the mad scene from Iain Bell’s A Harlot’s Progress, a gala concert with Placido Domingo in Guadalajara with the Philharmonic Orchestra of Jalisco, and Beethoven’s Ninth Symphony with the Arad State Philharmonic in her native Romania.

Ms. Zaharia has been a member of the Deutsche Oper am Rhen ensemble since the 2015/16 season, where she has sung the title role of Lange’s The Snow Queen, Donna Anna in Don Giovanni, and Najade in Ariadne auf Naxos. As a former member of the Komische Oper opera studio, she also sang Micaëla in Carmen, Helena in A Midsummer Night’s Dream, Princess Nicoletta in The Love for Three Oranges, Elsbeth in Offenbach’s Fantasio, and Pamina in Barrie Kosky’s production of The Magic Flute. She has also appeared in Kosky’s production for her debuts at the Gran Teatre del Liceu, the Bolshoi Theater, the Edinburgh International Festival, and the Shanghai Grand Theater. While studying voice and piano at the Gheorghe Dima Music Academy in her native Romania, Ms. Zaharia sang such roles as Gilda in Rigoletto, Norina in The Elixir of Love, and Musetta in La Boheme. Her concert repertoire includes Carmina Burana, Handel’s Messiah, Bach’s St. Matthew Passion, Brahms’s Ein deutches Requiem, Mozart’s Requiem, and Schumann’s Das Paradies und die Peri. She was the recipient of the Grand Prix of the Haricleea Darclée International Competition in 2012.

Arturo Chacón-Cruz has established himself in recent years as a leading tenor with exciting appearances in renowned theaters and concert halls across the globe. He has sung over 60 roles in more than 30 countries.

Performances in the 2021/2022 season include Don José in Carmen (Parma, Italy), Gabriel Adorno in Simon Boccanegra in Palermo, Jacopo Foscari in The Two Foscari in Paris, Alfredo in La Traviata in Moscow and Seville, the title role of Don Carlo with Maryland Lyric Opera, Hoffmann in The Tales of Hoffmann in Las Palmas, and Manrico in Il Trovatore in Spain, as well as concerts in Mexico City and Monterrey, Corpus Christi, San Francisco, Palermo, Muscat, Paris, and Vienna.

Since winning Operalia in 2005, Arturo’s career has seen a successful and steady development. His repertoire spans from Bellini and Donizetti to Puccini and Verdi. Some of his more sought after roles are: Rodolfo, the Duke of Mantua, Alfredo, Jacopo Foscari, Gabriele Adorno, Pinkerton, Hoffmann, Werther and Romeo to name a few.

He has sung private recitals for King Felipe of Spain, Queen Sofia and King Juan Carlos of Spain, as well as another one for all the leaders of Iberoamerica.

Recent highlights include role debut at the Vienna State Opera, his role debut as Manrico in Il Trovatore, in Las Palmas de Gran Canaria, Oronte in Verdi’s I Lombardi in Montecarlo, Cavaradossi in Tosca in Oviedo, Spain, Ismael in Nabucco in Valencia, Spain, and Rodolfo in Luisa Miller in Barcelona, as well as a reprisal of one of his signature roles, the eponymous role in Massenet’s Werther in Stuttgart’s State Opera.

Other performances include: the Duke in Rigoletto (Houston, Verona, Naples, Budapest, Hamburg, Los Angeles and Florence), Rodolfo in La Boheme (San Francisco and Hamburg), Alfredo in La Traviata (Munich, Valencia, Moscow, Rome, Barcelona, Verona and Oman), Ruggero in La Rondine in Genova, Faust in La Damnation de Faust in Mexico City’s Bellas Artes, the Teatro Colon in Buenos Aires and at the Bolshoi Theater in Moscow, Werther in Barcelona and Budapest, Des Grieux in Manon in Monte Carlo, Don Jose in Carmen (Tel Aviv, Lyon, Tampere, Palermo and Zurich), as well as a critically acclaimed role debut as Macduff in Macbeth in Los Angeles and later in Vienna.

He has worked with star directors Sofia Coppola (La Traviata, with Valentino costumes) and Woody Allen (Gianni Schicchi, available on DVD and BluRay by Sony); these shows were internationally acclaimed with sold out performances in Los Angeles, Valencia and Rome.

In addition to an extensive existing operatic discography, the artist’s first solo CD is available. Arturo Chacón le canta a México features some of the most beautiful Mexican music ever written, and is accompanied by the Orquesta Filarmónica de Sonora. Arturo’s mariachi recordings De México para el Mundo and De mi Casa a tu Casa were recently released, including a duet with his wife Venetia-Maria Stelliou, as well as his first ever English language recording A Christmas Wonderland available on all digital platforms as well as physically on Amazon.

Chacón-Cruz has received many honors and awards throughout the years. The most recent one being the “Moncayo Medal” in Jalisco, Mexico, he was also “GQ Man of the Year 2018” in Mexico. He was the “Jan Shrem and Maria Manetti Emerging Star” of 2017 for the San Francisco Opera.

He made his La Scala di Milano debut as Hoffmann in The Tales of Hoffmann, and received a very warm reception from the audience and press: “He excellently portrayed the lovelorn poet, with a youthfulness that only made him more attractive, exhibiting great mastery over his instrument and an indeed pleasant high register, all in all, a brilliant participation” (GB Opera).

Arturo is the spokesperson for Beyond Celiac, an organization he proudly supports that works towards a cure for Celiac Disease.

He currently lives in Miami with his wife and his son. Learn more at ArturoChaconCruz.com.

Following his notable role debut as Alberich in Das Rheingold with the Tiroler Festspiele Erl during the summer of 2021, bass-baritone Craig Colclough began the 2021/22 season with his debut at Lyric Opera of Chicago, singing the title role in Verdi’s Macbeth. Further ahead in the season, he returns to the Metropolitan Opera to sing Monterone in a new production of Rigoletto, performs Telramund in Lohengrin at the Royal Opera House, Covent Garden, and returns to his home company of LA Opera, who named him a 2021 recipient of the Eva and Marc Stern Artist Award, for performances of the St. Matthew Passion. Additionally, he reprises the role of Alberich in Das Rheingold with Nashville Opera later in the spring. Future seasons include a return to the Metropolitan Opera, returns to Tiroler Festspiele Erl and his debut with the Grand Théâtre de Genève.

Craig Colclough began the 2019/20 season with his Metropolitan Opera debut as the title role of Macbeth. He also performed this role with Belgium’s Opera Vlaanderen in Antwerp during the summer of 2019 — bowing in further performances with the company in Ghent and Luxembourg in the autumn of 2019 — and returned to Arizona Opera for a role debut as Bishop Dyer in Riders of the Purple Sage. 

In the 2018/19 season, Craig Colclough returned to Opera Vlaanderen as Telramund in Lohengrin, and LA Opera as Peter in Hansel and Gretel. He debuted with Oper Frankfurt as Fra Melitone in La Forza del Destino, and Opera Queensland as the Storyteller in A Flowering Tree .by John Adams. During the summer, he returned to the title role of Don Pasquale with the Berkshire Opera Festival.

Mr. Colclough’s 2017/18 season included significant debuts with the Royal Opera House, Covent Garden as Pistola in Falstaff, Opera Vlaanderen as Falstaff in Falstaff (directed by Oscar-winning actor Christoph Waltz), Boston Lyric Opera as Hare in the world premiere of Burke and Hare by Julian Grant, and Dallas Opera as Peter Vogel in Korngold's Der Ring des Polykrates. He also made returns to Minnesota Opera as the title role in Don Pasquale, Arizona Opera as Donner in Das Rheingold, and LA Opera as Monterone in Rigoletto.

The autumn of 2016 found Craig Colclough’s return to London for Scarpia in Tosca with English National Opera, a role which served as his debut at Canadian Opera Company later in the season. He also joined the Minnesota Opera for Doristo in L’Arbore di Diana, and spent the summer singing the title role in Verdi’s Falstaff with Opera Saratoga.

In the 2015/16 season Mr. Colclough’s performances included appearances with Arizona Opera as the title role in Falstaff and with the Simon Bolivar Symphony Orchestra of Venezuela for Timur in Turandot, conducted by Gustavo Dudamel. Additionally, he returned to English National Opera for his role debut of Kurwenal in Tristan und Isolde, and LA Opera for Simone in Gianni Schicchi. On the concert stage, he debuted with the Los Angeles Philharmonic as Dottore Grenvil in La Traviata.

In the 2014/15 season, Craig Colclough made his European debut with English National Opera as Jack Rance in The Girl of the Golden West, returned to LA Opera for concert performances of Hercules v. Vampires (roles of God of Evil and Procrustes), and also debuted with Atlanta Opera as Figaro in The Marriage of Figaro, as well as Lyric Opera of Kansas City as Lieutenant Gordon in Silent Night by Kevin Puts.

During the 2013/14 season, the bass-baritone essayed the title role in Don Pasquale at the Arizona Opera, covered the title role in Falstaff for both San Francisco Opera and LA Opera, and appeared as the Bosun in Billy Budd at LA Opera. In concert, Mr. Colcough appeared with the Orange County Philharmonic Society for Beethoven’s Ninth Symphony. 

Learn more at CraigColclough.com.

Morris Robinson is considered one the most interesting and sought-after basses performing today.

Matthew Aucoin, a MacArthur Genius Grant recipient, was named LA Opera's first ever Artist in Residence, a position he held from 2016 to 2020. He has conducted LA Opera productions of Akhnaten (2016) and Rigoletto (2018), as well as concert performances of his own opera Crossing (2018) and performances of Joby Talbot's new score for the film Vampyr (2018).  In 2020, he conducted the world premiere of his newest opera, Eurydice, in Los Angeles; the opera will subsequently be presented by the Metropolitan Opera.

He will return to LA Opera in 2021 for a chamber music program (which will include music he has composed) entitled Veils of Desire.

Born in 1990, he is an American composer, conductor, writer and pianist. In the 2014/15 season, he conducted the premieres of two of his operas: Crossing at Boston’s American Repertory Theater (directed by Diane Paulus); and Second Nature, a chamber opera for the young, at Lyric Opera of Chicago. He wrote the libretti for both works. He is currently at work on a new opera for the Metropolitan Opera / Lincoln Center Theater’s New Works program. In the coming season, he will conduct the premiere of his new orchestral work, commissioned by the Los Angeles Chamber Orchestra. His new song cycle, set to texts by James Merrill and co-commissioned by Carnegie Hall, New York, and Wigmore Hall, London, will be premiered by tenor Paul Appleby and pianist Ken Noda at recitals in New York, Boston, Chicago, Notre Dame, and Miami. Violinist Jennifer Koh will premiere Aucoin’s new solo violin work at the New York Philharmonic Biennale and the Santa Fe Chamber Music Festival.

He is also at work on a piano concerto commissioned by The Gilmore for pianist Charlie Albright. This season, he makes conducting debuts with the Los Angeles Philharmonic; the Los Angeles Chamber Orchestra; Music Academy of the West (Smetana’s The Bartered Bride, as well as his own chamber opera Second Nature); the Teatro Petruzzelli in Bari, Italy (The Marriage of Figaro); and he returns to the Civic Orchestra of Chicago. In recent seasons, he has appeared as a conductor with the Chicago Symphony Orchestra, the Rome Opera Orchestra, the Civic Orchestra of Chicago (a special event featuring cellist Yo-Yo Ma) and Juilliard Opera (Eugene Onegin). (MatthewAucoin.com)

Hailed for his adventurous and bold artistic leadership, and for eliciting technically precise and expressive performances from musicians, Grammy Award-winner Grant Gershon celebrated his 20th anniversary as Kiki & David Gindler Artistic Director of the Los Angeles Master Chorale in the 2021/22 season. The Los Angeles Times has said the Master Chorale "has become the most exciting chorus in the country under Grant Gershon,” a reflection on both his programming and performances. 
 
During his tenure, Gershon has led more than 200 Master Chorale performances at Walt Disney Concert Hall in programs encompassing a wide range of choral music, from the early pillars of the repertoire to contemporary compositions. He has led world premiere performances of major works by John Adams, Louis Andriessen, Eve Beglarian, Billy Childs, Gabriela Lena Frank, Ricky Ian Gordon, Shawn Kirchner, David Lang, Morten Lauridsen, Steve Reich, Ellen Reid, Christopher Rouse, Esa-Pekka Salonen, and Chinary Ung, among many others.  

Gershon is committed to increasing representation in the choral repertoire, and in 2020 he announced that the Master Chorale will reserve at least 50% of each future season for works by composers from historically excluded groups in classical music. 
 
In July 2019, Gershon and the Master Chorale opened the famed Salzburg Festival with Lagrime di San Pietro, directed by Peter Sellars. The Salzburg performances received standing ovations and rave reviews from such outlets as the Süddeutsche Zeitung, which called Lagrime “painfully beautiful” (Schmerzliche schön). Gershon and the Master Chorale debuted the production in Los Angeles in 2016 and began touring the world with it in 2018. In its review of the premiere of Lagrime, the Los Angeles Times noted that the production “is a major accomplishment for the Master Chorale, which sang and acted brilliantly. It is also a major accomplishment for music history.”

He was the Resident Conductor of LA Opera from 2012 to 2022, and in this capacity conducted the West Coast premiere of Philip Glass’s Satyagraha in November 2018. He made his acclaimed debut with the company with La Traviata in 2009 and has subsequently conducted productions including Il Postino, Madama Butterfly, Carmen, Florencia en el Amazonas, Wonderful Town, The Tales of Hoffmann and The Pearl Fishers. In 2017, he made his San Francisco Opera debut conducting the world premiere of John Adams’s Girls of the Golden West directed by Peter Sellars, who also wrote the libretto, and made his Dutch National Opera debut with the same opera in March 2019. Gershon and Adams have an enduring friendship and professional relationship which began 27 years ago in Los Angeles when Gershon played keyboards in the pit for Nixon in China at LA Opera. Since then, Gershon has led the world premiere performances of Adams’ theater piece I Was Looking at the Ceiling and Then I Saw the Sky, premiered his two-piano piece Hallelujah Junction (with Gloria Cheng), and conducted performances of Harmonium, The Gospel According to the Other Mary, El Niño, The Chairman Dances, and choruses from The Death of Klinghoffer. 

In New York, Gershon has appeared at Carnegie Hall and at the historic Trinity Wall Street, and he has performed on the Great Performers series at Lincoln Center and the Making Music series at Zankel Hall. Other major appearances include performances at the Ravinia, Aspen, Edinburgh, Helsinki, Salzburg, and Vienna festivals, the South American premiere of LA Opera’s production of Il Postino in Chile, and performances with the Baltimore Symphony and the Coro e Orchestra del Teatro Regio di Torino in Turin, Italy. He has worked closely with numerous conductors, including Claudio Abbado, Pierre Boulez, James Conlon, Gustavo Dudamel, Lorin Maazel, Zubin Mehta, Simon Rattle, and his mentor, Esa-Pekka Salonen. 
 
His discography includes the 2022 Grammy Award-winning recording of Mahler's Symphony No. 8 with the Los Angeles Philharmonic as well as Grammy–nominated recordings of Sweeney Todd (New York Philharmonic Special Editions) and Ligeti’s Grand Macabre (Sony Classical); six commercial CDs with the Master Chorale, including Glass-Salonen (RCM), You Are (Variations) (Nonesuch), Daniel Variations (Nonesuch), A Good Understanding (Decca), Miserere (Decca), and the national anthems (Cantaloupe Music); and two live-performance albums, the Master Chorale’s 50th Season Celebration recording and Festival of Carols. He has also led the Master Chorale in performances for several major motion pictures soundtracks, including, at the request of John Williams, Star Wars: The Last Jedi and The Rise of Skywalker. Gershon was named Outstanding Alumnus of the Thornton School of Music in 2002 and received the USC Alumni Merit Award in 2017.