Candide

Peabody Southwell has established herself as a multifaceted artist in a range of creative endeavors. As a Grammy Award-winning mezzo-soprano recognized for her “stylistic mastery and ripe, sensual sound” (Opera magazine, UK), she has performed principal roles for LA Opera, Chicago Opera Theater, Carnegie Hall, Seattle Symphony, LA Philharmonic, New World Symphony and San Francisco Symphony and has been conducted by Michael Tilson Thomas, James Conlon, John Adams and Robert Spano.

She made her Metropolitan Opera debut in 2018 in Nico Muhly's Marnie.

A champion of new music, she is slated to premiere works for composers Ashley Fure, Ted Hearne, Laura Kaminsky and Jodie Landau. A native of Los Angeles, she frequently appears with LA Opera. Most notably, she performed the central role in the world premiere of David Lang's anatomy theater, in an "electrifying" (Wall Street Journal) performance, leading Musical America to note, "Southwell gave another demonstration as to why she has become one of the most fearless, versatile young singing actresses on the stage today." As a director, designer and dramaturg she prioritizes bold collaboration across the arts in productions, installations and experimental events described by the Los Angeles Times as "the future of classical music."

In the 2019/20 season, he makes his first professional performances as Papageno in The Magic Flute at LA Opera under the baton of James Conlon, marking his eighth production with the company. Additionally, he debuts with Opera Philadelphia as Denis in the world premiere of Denis & Katya by Philip Venables, and will debut at Seattle Opera as Schaunard in La Bohème. Mr. Hoffman has been seen previously at Atlanta Opera, Opera Omaha, Opera Theatre of Saint Louis, and Des Moines Metro Opera.

Mr. Hoffman has concertized with the Israel Philharmonic Orchestra, Los Angeles Philharmonic, Wiener Akademie and Il Giardino Armonico at the Salzburg Mozartwoche, Marlboro Music, Orchestre National de Lille, Grand Teton Music Festival, Portland Symphony Orchestra, and Chamber Music Northwest. He has appeared in recital at some of the world’s leading venues, including the Kennedy Center, Carnegie Hall, and Alice Tully Hall. He is the recipient of awards from the Richard Tucker Music Foundation, the Sullivan Foundation, the Gerda Lissner Foundation, The Kurt Weill Foundation, and was a Grand Finalist in the 2016 Metropolitan Opera National Council Auditions. Mr. Hoffman is a graduate of The Juilliard School. (TheoHoffmanBaritone.com)

His appearances with the company have included Malcolm in Macbeth, Cacambo in Candide, Abdallo in Nabucco, Borsa in Rigoletto and Count Lerma in Don Carlo. Additionally, he has covered the leading tenor roles in The Pearl Fishers, The Abduction from the Seraglio, Nabucco and Rigoletto.

In the summer of 2019, he will return to Opera Theatre of Saint Louis for his role debut as the Duke of Mantua in Rigoletto.

Recent performances include both Don Basilio and Don Curzio in The Marriage of Figaro and Malcolm in Macbeth with Kentucky Opera. He has previously appeared with Dayton Opera, Opera Iowa, Opera Theatre of Saint Louis, Aspen Music Festival, and Des Moines Metro Opera. He has performed under the baton of James Conlon, Placido Domingo, Steven Lord and Grant Gershon. In March 2019, he will compete in the national semi-finals of the Metropolitan Opera National Council Auditions. 

Her mainstage appearances during the 2018/19 season include Tebaldo in Don Carlo, the Sandman in Hansel and Gretel and Annio in The Clemency of Titus. Additionally, she was the mezzo-soprano soloist for the world premiere of Joby Talbot's new score for Vampyr at the Theatre at Ace Hotel, and she appeared as Jocabed in the world premiere of Henry Mollicone's Moses at the Cathedral of Our Lady of the Angels. In the summer of 2019, she returned to Wolf Trap Opera Company as a Filene Artist to perform the roles of Rosina in The Barber of Seville and Concepción in Ravel's L’heure espagnole.

Her LAO appearances for the 2019/20 season include the Third Lady in The Magic Flute.

In November 2020, she will make her debut in the title role of Carmen with Opera San José.

In 2018, she appeared with Wolf Trap Opera Company as Gertrude in Romeo et Juliette. Ms. Raven was a Pittburgh Opera Resident Artist in the 2016/17 season, where she performed as Oronte in Handel’s Riccardo Primo and as "Hannah after" in Laura Kaminsky's As One for its Pennsylvania premiere. In 2016, Ms. Raven performed in the Schwabacher Summer Concert with San Francisco Opera's Merola Opera Program. She recently performed the role of Marian Anderson in Deep River: Marian Anderson's Journey with Virginia Opera. As a Young Artist with Central City Opera in 2015, Ms. Raven was seen in scenes from Carmen, Street Scene and The Ballad of Baby Doe.

Since his debut that year with La Traviata, he has conducted nearly 60 different operas and over 375 performances to date with the company.

One of today’s most versatile and respected conductors, he has cultivated a vast symphonic, operatic and choral repertoire. He has conducted virtually every major American and European symphony orchestra since his debut with the New York Philharmonic in 1974. He has conducted more than 270 performances at the Metropolitan Opera. Through worldwide touring, an extensive discography and videography, numerous essays and commentaries, frequent television appearances and guest speaking engagements, Mr. Conlon is one of classical music’s most recognized interpreters.

In 2016, he became Principal Conductor of the National Symphony Orchestra of the RAI in Torino. He previously was Music Director of the Ravinia Festival, summer home of the Chicago Symphony (2005-2015), Principal Conductor of the Paris National Opera (1995-2004), General Music Director of the City of Cologne (1989-2002), Music Director of the Rotterdam Philharmonic (1983-91) and Music Director of the Cincinnati May Festival (1979-2016). He has won three Grammy Awards and was awarded France’s Légion d’Honneur.

She has also served as the Artistic Advisor to the San Francisco Opera from 2005-2011 and as the Artistic Director of the Skylight Theater from 1987-1992. In her current roles at the Kennedy Center and the Glimmerglass Festival she is responsible for producing 12 productions annually. She has begun major commissioning programs for new works in both companies that have resulted in productions of many large and small-scaled new works. Both companies have thrived financially and increased their national and international profiles as a result of her artistic vision and leadership.

Her American directing debut took place at the Houston Grand Opera with a production of Fidelio. She debuted in Europe at Teatro la Fenice in Venice with Beatrice di Tenda and has since staged new productions at major theaters and opera houses in Europe and the USA. She has worked at over 50 major opera houses including the Metropolitan Opera, La Scala, Lyric Opera of Chicago, Paris Opera, the Bolshoi, Munich State Opera, Covent Garden and the Australian Opera. Her work has also been seen at many of the world's major festivals. Collaborating with outstanding artists and designers and promoting emerging talent, she takes a special interest in new music theater works, innovative productions, and in producing theater and opera for wider audiences.

Francesca Zambello has been awarded the Chevalier des Arts et des Lettres by the French government for her contribution to French culture, and the Russian Federation's medal for Service to Culture. Other honors for her work include three Olivier Awards from the London Society of Theaters and two Evening Standard Awards for Best Musical and Best Opera. She has also received the award for Best Company Achievement. The French Grand Prix des Critiques was awarded to her twice for her work at the Paris Opera. Other awards include Best Production in Japan, the Palme d'Or in Germany, the Golden Mask in Russia and the Helpmann Award in Australia.

Francesca Zambello's most recent opera projects have included the Ring cycle and Aida for the San Francisco Opera and Washington National Opera, and Porgy and Bess and Show Boat for commercial DVD release. Musical and theater projects have included developing Voigt Lessons with Terrance McNally and Debbie Voight; Rebecca for Vienna's Raimund Theater, Stuttgart's Palladium Theater (presented by Stage Entertainment), and in St. Gallen, Switzerland; The Little Prince with Oscar-winning composer Rachel Portman; Napoleon in the West End; The Little Mermaid for Disney on Broadway; a musical adaptation of The Little House on the Prairie for national tour; The Master Butchers at the Guthrie Theater; and Aladdin in Disneyland. Film works have included Menotti's Amahl and the Night Visitors for BBC Television; a new film for the BBC, Sony and PBS of The Little Prince; and West Side Story for the floating stage in Bregenz.

Ms. Zambello has also served as a guest professor at Yale University. An American who grew up in Europe, she speaks French, Italian, German, and Russian. She attended Moscow University in 1976 and graduated cum laude from Colgate University in 1978. She began her career as an Assistant Director to the late Jean-Pierre Ponnelle. Francesca Zambello lives in New York with her wife, Faith Gay, a founding partner at Selendy and Gay, and step-son, Jackson.

Learn more at FrancescaZambello.com.

Originally from Charlotte, North Carolina, he collaborates frequently with the Glimmerglass Festival, where he has designed more than 20 productions. Other highlights include the lighting designs for The Marriage of Figaro at the Metropolitan Opera; Cyrano de Bergerac at La Scala, The Queen of Spades at the Royal Opera House Covent Garden, Norma at the Ópera Nacional de Chile and The Pearl Fishers at Houston Grand Opera.

He will return to conduct Breaking the Waves in 2021. He has additionally conducted LA Opera performances of Handel's L'Allegro, il Penseroso ed il Moderato and Lee Holdridge's Dulce Rosa, as well as Madama Butterfly, Carmen, Florencia en el Amazonas, Gianni Schicchi, Wonderful Town, The Tales of Hoffmann, Tosca, The Pearl Fishers and Satyagraha.

Grant Gershon is hailed for his adventurous and bold artistic leadership and for eliciting technically precise and expressive performances from musicians. He has conducted Rigoletto, Tosca, La Bohème, La Traviata, Carmen and Madama Butterfly at Wolf Trap Opera with the National Symphony Orchestra; John Adams’ The Gospel According to the Other Mary at the San Francisco Symphony and Ravinia Festival; Vivaldi’s Griselda at Santa Fe Opera; and many concerts with the Los Angeles Philharmonic.

The 2019/20 season marks his 19th season as the Kiki & David Gindler Artistic Director of the Los Angeles Master Chorale. The Los Angeles Times has said the Master Chorale "has become the most exciting chorus in the country under Grant Gershon,” a reflection on both his programming and performances. During his tenure, he has led more than 200 Master Chorale performances at Walt Disney Concert Hall in programs encompassing choral music from the earliest writings and pillars of the repertoire through to contemporary compositions. He has led world premiere performances of major works by John Adams, Esa-Pekka Salonen, David Lang, Louis Andriessen, Christopher Rouse, Steve Reich, Morten Lauridsen, Ricky Ian Gordon, Gabriela Lena Frank, Shawn Kirchner, Ellen Reid, and Chinary Ung, among many others.

He has created sound design for Broadway productions of Head Over Heels, The Band’s Visit, Amélie, Sunday in the Park with George, Allegiance, Gigi, Fun Home, On the Town, First Date, Follies (for which he received Tony and Drama Desk nominations) and Million Dollar Quartet. He was the sound designer for A Legendary Romance, Poster Boy (Williamstown), Beaches (Drury Lane), Brooklynite (Vineyard), Little Dancer and First You Dream (Kennedy Center), Zorro (Moscow; Atlanta), Hinterm Horizont (Berlin), Sweeney Todd and Man of La Mancha (Portland Opera) and She Loves Me (Oregon Shakespeare Festival).

Learn more about him at Harada-Sound.com.