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By Philip Glass


The company premiere of a mesmerizing Philip Glass masterpiece, staged by the visionary director of Akhnaten

Following the extraordinary success of Einstein on the Beach and Akhnaten, LA Opera completes the Philip Glass trilogy of operas about men who changed the world. Satyagraha (Sanskrit for “truth force”) is inspired by Mahatma Gandhi’s early years in South Africa, where he developed a radical new idea of nonviolent political resistance. A visually stunning presentation—starring fast-rising tenor Sean Panikkar as Gandhi—links past, present and future to illuminate a powerful meditation on the lasting effects of human goodness.

"An unmissable music theatre experience." – The Guardian


  • Saturday October 20, 2018 07:30 PM
  • Saturday October 27, 2018 07:30 PM
  • Thursday November 01, 2018 07:30 PM
  • Sunday November 04, 2018 02:00 PM
  • Thursday November 08, 2018 07:30 PM
  • Sunday November 11, 2018 02:00 PM

Company premiere

The running time is approximately three hours, 15 minutes, including one intermission.

A co-production of the Metropolitan Opera and English National Opera, in collaboration with Improbable.


Creative Team


Act I—Tolstoy
Scene 1
A mythical battlefield: The Kuru Field of Justice
A great battle is impending between two royal families, the Kuruvas and the Pandavas. Warriors and chieftains blew their battle shells announcing their readiness to fight. Seeing the battle set, Prince Arjuna spoke to Lord Krishna, wishing to look more closely at the men with whom he must do battle in the enterprise of war.

Scene 2
Tolstoy Farm – South Africa (1910)
With only a handful of satyagrahis pledged to resist the Europeans’ racial discrimination, Gandhi initiated the first collective action among South Africa’s Indian residents. No one knew how long the struggle would last, but with Tolstoy Farm, the satyagrahis progressed toward securing an immediate goal. Here, all families would live in one place, becoming members of a cooperative commonwealth, where residents would be trained to live a new, simple life in harmony with each other.

Scene 3
The Vow (1906)
The British Government was proposing to institute an entire re-registration and fingerprinting of all Indians. They would be required to carry resident permits at all times and police could enter homes to inspect for certificates. Offences were punishable by fines, jail or deportation. At a public meeting attended by over 3,000 people, a resolution was drawn up stating that all would resist this Black Act unto death.

Act II—Tagore
Scene 1
Confrontation and Rescue (1896)
Gandhi had spent six months in India spreading the word of the settlers’ conditions in South Africa. Thousands of Europeans had read of his speeches and there was a great explosion of feeling when Gandhi returned to South Africa. Already angered by his actions, the Europeans were further inflamed by Gandhi’s intention to bring back hundreds of Indian immigrants. Growing larger in numbers and more violent in their actions, the excited crowd pursued Gandhi on the long walk through town. The wife of the superintendent of police was coming from the opposite direction and opening her umbrella for his protection, Mrs. Alexander lead Gandhi to safety.

Scene 2
Indian Opinion (1906)
Central to the movement’s activities was the weekly publication of Indian Opinion. Every aspect of production was considered in light of the struggle and the paper progressively reflected the growth of satyagraha principles. Indian Opinion informed the local and world community, and became a powerful weapon for the struggle. At its height, there was an estimated readership of 20,000 in South Africa alone.

Scene 3
Protest (1908)
Movement leaders were sentenced to jail for disobeying an order to leave South Africa. The community resolved to fill up the jail, and courting all kinds of arrest, the number of satyagrahi prisoners rose to 150 by the week’s end. The government proposed that if the majority of Indians underwent voluntary registration, they would repeal the Black Act. But when the government failed to fulfil their part of the bargain, the satyagrahis issued their own ultimatum: if a repeal was not forthcoming, certificates would be collected by the Indians and burned. On the day of the ultimatum’s expiration, the government’s refusal was sent to the site where Gandhi conducted a prayer meeting before the burning of the registration cards. These were all thrown into the cauldron, set ablaze, and the assembly rose to its feet making the whole place resound with their cheers—even greater than the commencement of the movement, satyagraha now had its baptism of fire.

Act III—King
New Castle March (1913)
With two overt racially discriminatory laws, the government was effectively controlling the influx of new Indian settlers and keeping the old class of laborers under its thumb. Both the Three Pound Tax and the Asiatic Immigration Law were in effect when the great Indian leader Shree Gokhale made a tour of South Africa and secured from the government a public promise for their repeal. The government’s breach of promise gave satyagraha an opportunity to include new objectives in its fight for truth and to increase its strength in numbers. The miners in New Castle were selected to be the first drawn into the expanding struggle. Led by Gandhi, they would march the 36 miles to the Transvaal border. If arrested at this registration check point, this army of 5,000 would flood the jails, incurring heavy expenses and difficulties for the government. If allowed to proceed to Tolstoy Farm, they would prolong the strike, conceivably drawing all of the 60,000 laborers affected by the tax law into the struggle.

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