Grammy Award-winning baritone Lucas Meachem is one of the most accomplished, in-demand singers of the moment, captivating audiences around the world with his “earnest appealing baritone” (The New York Times) and “commanding presence” (San Francisco Chronicle.
A rock star of opera” (Opera Pulse), Meachem’s 2019/20 season includes a house debut at Teatro Regio di Torino, four role debuts, and performances with Opéra National de Paris, Dallas Opera, Prague Philharmonia, San Francisco Opera, and Chicago Lyric Opera. He opens the San Francisco Opera season, singing Mercutio in Roméo et Juliette and appears as a soloist in the Richard Tucker Gala at Carnegie Hall. He then sings the title role of Don Giovanni at Chicago Lyric Opera, followed by his house and role debut as Escamillo in Opera Teatro Regio di Torino’s production of Carmen. He then adds another role to his repertoire as Prince Yeletsky in The Queen of Spades at the Chicago Lyric Opera. He continues his season in his “signature role for good reason,” (Opera News) as Figaro in The Barber of Seville with the Dallas Opera. He closes his season at Opéra National de Paris performing Marcello in Claus Guth’s noteworthy production of La Bohéme.
Named the winner of San Francisco Opera’s inaugural “Emerging Star of the Year” Award in 2016, notable performances in Meachem’s American career include marking his 50th role debut as Athanaël in Thaïs (Minnesota Opera), Chorèbe in Les Troyens, Demetrius in A Midsummer Night’s Dream and Valentin in Faust at Chicago Lyric Opera; Eugene Onegin, Don Giovanni, Figaro in The Barber of Seville, Papageno in The Magic Flute, Count Almaviva in The Marriage of Figaro, and Fritz/Frank in Korngold’s Die tote Stadt at San Francisco Opera; General Rayevsky in Prokofiev’s War and Peace, Robert in Iolanta, Marcello in La Bohéme, Silvio in Pagliacci and Mercutio in Roméo and Juliette at the Metropolitan Opera; Don Giovanni with Santa Fe Opera, New Orleans Opera, and Opera Cincinnati Opera; Zurga in The Pearl Fishers at the Florida Grand Opera; Germont in La Traviata at Washington National Opera; and Figaro in The Barber of Seville at San Diego Opera, Opera Colorado, Houston Grand Opera, and LA Opera where he also gave his Grammy Award-winning performance of Figaro in The Ghosts of Versailles.
A regular performer across Europe, Meachem has performed the title role in The Barber of Seville with the Vienna Staatsoper, Royal Opera House, Den Norske Opera; the title role in Don Giovanni at Glyndebourne Festival and Semperoper Dresden; the title role in Britten’s Billy Budd at Opéra National de Paris; as Count Almaviva in The Marriage of Figaro at Bayerische Staatsoper in Munich and Royal Opera House; Wolfram von Eschenbach in Tannhäuser at the Saito Kinen Festival in Japan under the baton of Seiji Ozawa; the title role in Eugene Onegin with Komische Oper Berlin and Opéra national de Montpellier; Zurga in The Pearl Fishers at Bilbao Opera; with the Teatro Real de Madrid in the world premiere of El Viaje a Simorgh, Frank/Fritz in Die tote Stadt, as well as Oreste in Iphigénie en Tauride; and a European tour with Anna Netrebko as Robert in Iolanta with 11 performances at Europe’s most important musical centers and venues including Vienna, Munich, Paris, Berlin and Amsterdam.
Last summer Meachem performed with the Orchestre symphonique de Montréal under the baton of Kent Nagano as the opening concert for the Salzburg Festival of Penderecki’s St. Luke Passion. Additionally, Meachem was part of the opening concert for the Grafenegg Music Festival of the Britten War Requiem and performed the Mahler Kindertotenlieder with Emmanuel Villaume and the Prague Philharmonia. Other notable concert performances in Europe include the Fauré Requiem with the Maggio Musical Fiorentino under Seiji Ozawa and Carmina Burana in Rome with the Accademia Nazionale de Santa Cecilia. Meachem made his Hollywood Bowl debut in 2014 as Silvio in Pagliacci with Gustavo Dudamel. He has sung with the New York Philharmonic in Bach’s St. Matthew Passion under Kurt Masur; the San Francisco Symphony in concert performances of Gilbert and Sullivan’s Iolanthe; the American Symphony Orchestra in the United States premiere of Ferdinand Hiller’s oratorio The Destruction of Jerusalem at Avery Fisher Hall.
Born in North Carolina, Lucas Meachem studied music at Appalachian State University, the Eastman School of Music, and Yale University before becoming an Adler Fellow with the San Francisco Opera.