Lights, camera, action: An American officer in turn-of-the-century Japan wants a bride, and a greedy marriage broker obliges, assuring him that the union can be easily dissolved.

Two feuding families rule Verona, with the Montagues and Capulets each determined to write their victory in blood. A chance meeting between Romeo Montague and Juliet Capulet sparks a forbidden romance. But it wouldn’t be a Shakespearean tragedy without...well...tragedy.

Hijinks ensue in Mozart's comedy with dashing disguises, outrageous flirting and wedding bells. A delightful production by director Michael Cavanagh. A stylish set by Erhard Rom updates the action to a swanky American country club, bursting with kitsch and color. James Conlon conducts a fantastic ensemble cast, led by longtime LA Opera favorites Ana María Martínez and Rod Gilfry as the schemers behind the deception. Featuring an endless parade of exquisite ensembles, 

Margarita Xirgu has spent half her acting career in exile, mourning Federico García Lorca, the dear friend whom she couldn’t convince to flee Franco’s reign of terror. Lorca was once on the verge of writing his way into a new Golden Age in Spain. But dictators have no use for poets.

In a court ruled by decadence and corruption, the Duke of Mantua sits on top. Whatever he wants, he gets. And lately, he’s set his sights on Rigoletto’s daughter. It’s enough to send the carefree court jester into a deadly rage, but revenge comes at a price he never expected.