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The Flying Dutchman

Conducted by

James Conlon



The legend of the ghostly ship condemned to wander the oceans forever has fascinated opera lovers - and more recently, movie lovers - for hundreds of years. An enthralling score, illuminated by striking stage imagery, powers a thrilling journey into an unsettling, mythic world where a tormented spirit seeks true love as his redemption.

James Conlon, one of the foremost Wagner interpreters of our time, leads a world-class cast in a mesmerizing production, new to Los Angeles, staged by the brilliant Nikolaus Lehnhoff.

Click here to read the program.

Production from Lyric Opera of Chicago and San Francisco Opera. Production new to Los Angeles.

Production made possible by a generous gift from
The Pacific Theaters Foundation, Malsi and Michael Forman,
and Margaret and Christopher Forman, in honor of Dorothy Forman.


**Best seats and pricing available for the 3/21 and 3/27 performances.

If you can't find the seat you wish, please check back closer to performance date as seats may become available.


  • Saturday March 09, 2013 07:30 PM
  • Sunday March 17, 2013 02:00 PM
  • Thursday March 21, 2013 07:30 PM
  • Sunday March 24, 2013 02:00 PM
  • Wednesday March 27, 2013 07:30 PM
  • Saturday March 30, 2013 07:30 PM



A raging storm has forced a Norwegian captain, Daland, to seek shelter for his ship and crew in a cove, which he realizes is only seven miles from his home port. While the captain and crew go below to await better weather, the lone helmsman sings to keep up his spirits, but he is soon overcome by sleep. An eerie black-masted ship comes into view and anchors in the cove, and a ghostly crew furls blood-red sails. The captain comes ashore and sings of his cruel fate. He is the Flying Dutchman, condemned together with his crew to sail for all eternity until the curse upon him is lifted. Once every seven years, he may land somewhere to search for a woman who will love him faithfully, even unto death. Every search has ended in betrayal, and now the Dutchman yearns only for an end to his voyage.

Daland comes on deck and, noticing the foreboding vessel, hails its captain. The Dutchman offers him a chest of jewels and treasure in exchange for shelter and hospitality. When Daland tells him of his true and faithful daughter Senta, the Dutchman declares he would give everything he possesses for her hand. Daland can scarcely believe that he may at last have found a wealthy husband for his daughter, while the Dutchman dares once again to hope that he has found the woman who will release him from his curse. The weather abates. As Daland and his crew set sail for home, the Dutchman promises to follow them.



In Daland's house a group of young women are at work under the supervision of Senta's nurse, Mary. All but Senta sing of awaiting the return of their men from the sea. Senta is lost in dreamy contemplation of the portrait of a pale, ghostly figure, the Flying Dutchman. The girls teasingly warn her that Erik, a hunter who is in love with Senta, will be jealous. Senta asks Mary to sing the ballad of the doomed man. When Mary refuses, Senta herself recounts the tale of the captain who, while attempting to round the Cape of Good Hope in a fearful storm, swore he would not turn back for all eternity. Satan heard the blasphemous oath and condemned the Dutchman to sail the seas until he could find a woman who would love him faithfully unto death. Overcome with empathy, Senta declares her passionate desire to be that redeemer. Mary and the girls are horrified, as is Erik, who enters with the news of Daland's return.

Alone with Senta, Erik reproaches her for her obsession with the legend of the Dutchman. He knows that Daland will not settle for a poor son-in-law, but he begs Senta to support his suit. When she avoids his advances, he tells her of a dream he had in which Senta and the phantom sailor disappear together over the sea. Believing this to be an omen, Senta ecstatically vows that she will sacrifice herself to save the Dutchman. Erik leaves in despair.

When Daland arrives with his guest, he and Senta gaze at each other, oblivious to Daland's introduction. When they are left alone, the Dutchman sings that he believes Senta to be the woman he has long dreamed of. Senta responds to the stranger's tales of hardship with compassion and tells him that she will follow her father's wishes and marry him. When Daland returns to see what she has decided, she pledges that she will be a faithful wife to the mysterious stranger.



The sailors on Daland's ship are celebrating their homecoming. The Dutchman's ship is moored nearby, dark and quiet. Young women arrive and, as the celebration continues, the Norwegians repeatedly call to the Dutch sailors to join them. The only answer is an eerie silence. The Norwegians jest that this must be the Flying Dutchman's ship. The women become fearful and depart. Suddenly the ghostly voices of the Dutch sailors are heard, drowning out the Norwegians' song and breaking into mocking laughter when the Norwegian sailors flee.

Senta appears, pursued by Erik. He demands to know how she can break his heart by marrying the man he has recognized as the subject of the portrait. He reminds her that she had once sworn to be faithful only to him. The Dutchman, overhearing this, believes that he has been betrayed once again. Senta tries to convince him of her faithfulness in vain. Although any woman who breaks her pledge to him is eternally damned, Senta has not yet pledged her faith to him before God. The Dutchman prepares to leave, and reveals that he is indeed the Flying Dutchman. Senta chooses to follow her new husband to their fate.


Two hours and 20 minutes; there are no intermissions.
Evening performances: 7:30-9:50 p.m. (approximately)
Matinee performances: 2:00-4:20 p.m. (approximately)

News & Reviews


  • The Flying Dutchman (Der Fliegende Hollander)

    LA Opera: March 05, 2013

    In this edition of the podcast, Brian Lauritzen goes behind the curtain with LA Opera Music Director James Conlon as we set sail with Richard Wagner's The Flying Dutchman. They discuss the recurring themes in Wagner's work - the outsider, the wanderer, redemptive love - as well as how Wagner viewed himself as a revolutionary.
Pre-performance lectures are generously sponsored by the Flora L. Thornton Foundation and the Opera League of Los Angeles.


Pre-Performance Talks

Get the full story by joining other opera-goers at our complimentary pre-opera talks in the Eva and Marc Stern Grand Hall of the Dorothy Chandler Pavilion. One hour before every performance of The Flying Dutchman, LA Opera's acclaimed Music Director James Conlon will present an entertaining and informative talk on the opera. These talks are free of charge to everybody attending the performance, and no reservations are required.