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Lucia di Lammermoor

Love is a Madness



"A terrific cast, a production that enhances...and superb conducting make Los Angeles Opera's new production of Lucia di Lammermoor
a go-to event.
Chris Pasles, Los Angeles Times

Albina Shagimuratova "has a gorgeous voice, opulent and bejeweled, with a surprising volume and penetration for all its basic delicacy. Everything sounded effortless and graceful..." Saimir Pirgu "revealed impressive expressive and dynamic range as well as intelligence"

Tim Mangan, Orange County Register

"Maestro Conlon with his unceasing sensitivity and intelligence and the LA Opera Orchestra with their rigorous technique met all the demands of the bel canto score, becoming the heartbeat of the opera: crisp, buoyant, moody, and reflective all at once."
Jane Rosenberg, Seen and Heard International


A darkly romantic tale of family honor, betrayal and madness returns to Los Angeles for the first time in a decade. As Lucia, Russian coloratura soprano Albina Shagimuratova is “a phenomenon that must be heard to be believed” (Opera News). Returning as Lucia’s secret lover is tenor Saimir Pirgu, whose "youthful stage presence and eager phrasing...mark him out as a tenor to watch” (Opera News).

Forced by her family to marry against her will, Lucia descends into madness. Her chilling, blood-spattered reappearance at the wedding reception has become one of the most iconic scenes in all opera. A tour-de-force of Italian Romantic opera at its most powerful and dramatic, Lucia di Lammermoor is the gleaming jewel in opera’s bel canto crown.

Click here to read the program.

New production.

Production made possible by generous gifts from The Blue Ribbon and The Seaver Endowment.


There are currently no upcoming performances.


Among the Lammermoor Hills of Scotland, Normanno and the castle guards search for a prowler spotted on the grounds of Ravenswood Castle. The lord of the castle, Enrico Ashton, in a state of agitation, tells Normanno that he must escape financial ruin by arranging a wealthy husband for his sister Lucia, but that she has so far refused. The chaplain Raimondo assures him that the girl’s refusal to wed stems from her grief after the recent death of her mother, but Normanno reveals the truth: Lucia has fallen in love with Edgardo, the heir of the former lord of Ravenswood, whose estates and title Enrico has usurped. The guards return to report that Edgardo was seen trespassing on the premises.

Lucia tells her companion Alisa that she has been meeting Edgardo in secret at the well on the castle grounds. It is a place that fills Lucia with dread, for she has seen the ghost of a murdered woman there. Alisa urges her to give up this ill-omened affair, but Lucia swears that Edgardo is her only source of happiness. When Edgardo arrives, he tells her that he must travel to France on a diplomatic mission; he hopes to make peace with her brother and ask him for her hand in marriage before he embarks. Knowing the depths of her brother’s hatred, Lucia begs him not to do so. They exchange rings, vowing eternal love for one another.

During Edgardo’s absence, Enrico has intercepted all of his enemy’s letters to Lucia. He has also gathered his kinsmen for Lucia’s wedding to Lord Arturo Bucklaw, whose arrival is imminent. Enrico shows Lucia a forged letter that deceitfully states Edgardo’s love for another woman. Enrico tells Lucia that she will marry Arturo that very day.

Raimondo, invoking the memory of her mother, urges Lucia to go through with the ceremony for the good of the family. She is too stunned to object and he reminds her that there are heavenly rewards for earthly sacrifices.

In the great hall of the castle, guests hail the union of two important families. Arturo pledges to restore the Ashtons’ prestige. Enrico prepares him for Lucia’s melancholy by explaining that she is still in mourning for her mother. As soon as Lucia signs the marriage contract, Edgardo enters, to the astonishment of the wedding guests. Enraged that Lucia has apparently broken her vows to him, he prepares to fight; Raimondo is able to restrain him. Edgardo furiously demands his ring from Lucia, cursing her.


Edgardo returns to his destitute home, the tower of Wolf’s Crag. Enrico follows him there, challenging him to a duel for insulting his sister and his family’s honor. Edgardo accepts, eager to avenge his father’s murder at the hands of Enrico. They agree to fight at dawn near the graves of Edgardo’s ancestors.

Meanwhile, the wedding celebrations at the castle continue. Raimondo bursts in with the shocking news that Lucia has killed her new husband. She enters, bloodied by the deed and irreparably altered. When Enrico storms in, he is silenced by the sight of her pitiful condition. Believing herself in heaven, Lucia falls dying. As she is carried away, Raimondo turns on Normanno, blaming him for the misfortune that has fallen on the family.

At the tomb of the Ravenswoods, Edgardo laments Lucia’s supposed betrayal and awaits his duel with Enrico, which he hopes will end his own life. He learns of Lucia’s madness and her request to see him once more on her deathbed. As he is about to rush to her side, Raimondo arrives with news of her death. Unable to bear the thought of life without her, Edgardo kills himself.


Two hours and 40 minutes, including one intermission.
Evening performances: 7:30-10:10pm (approximately)
Matinee performances: 2:00-4:40pm (approximately)

News & Reviews


  • Lucia di Lammermoor

    LA Opera: March 12, 2014

    In this edition of the podcast, host Brian Lauritzen is joined by soprano Albina Shagimuratova and tenor Saimir Pirgu who are singing the roles of Lucia and Edgardo (March 15 through April 6 at LA Opera). They discuss developing chemistry onstage, the challenges of portraying the psychological turmoil of the opera and their unlikely journey to become opera singers.
  • Lucia di Lammermoor

    LA Opera: March 15, 2014

Pre-performance lectures are generously sponsored by the Flora L. Thornton Foundation and the Opera League of Los Angeles.


Glass Harmonica rehearsal

A Profile of Albina Shagimuratova

Albina Shagimuratova in "LUcia" at La Scala

Albina Shagimuratova sings the "Mad Scene"


Pre-Performance Talks

Get the full story by joining other opera-goers at our complimentary pre-opera talks in the Eva and Marc Stern Grand Hall of the Dorothy Chandler Pavilion. One hour before every performance of Lucia di Lammermoor, LA Opera's acclaimed Music Director James Conlon will present an entertaining and informative talk on the opera. These talks are free of charge to everybody attending the performance, and no reservations are required.  More info