From: New York City, New York. LA Opera: Lt. Ratcliffe in Billy Budd (2014, debut); many subsequent appearances including Aye in Akhnaten (2016); Noah in Noah's Flood (2017); Krishna in Satyagraha (2018); Alcindoro in La Bohème (2019); Reinmar in Tannhäuser (2021); Suleiman in Omar (2022); Physician in Pelleas et Melisande (2023); Baron Douphol in La Traviata (2024).
Patrick Blackwell continues to expand his impressive repertoire in opera, oratorio and musical theater. His career has seen him engaged by many of the leading opera companies and orchestras of the U.S. and Europe, including appearances with the Boston Symphony Orchestra at the Tanglewood Festival, Munich Philharmonic, Lyric Opera of Chicago and LA Opera. He trained at the Juilliard School and began his career as a young artist with the Santa Fe Opera, Houston Opera Studio, the Merola Opera Program with San Francisco Opera, Opera Music Theatre International with Jerome Hines and Aspen Opera.
In July 2023, he appears with the Opera Festival of Chicago in An Italian Soirée and as Leone in Verdi's Attila. His appearances for the 2023/24 season include a return to LA Opera as Baron Douphol in La Traviata and a debut with the Los Angeles Philharmonic as Don Fernando in Fidelio.
He has appeared in concert with the Munich Philharmonic in Porgy and Bess conducted by Lorin Maazel and in the title role of Porgy on a European tour with NY Harlem Productions. His association with this piece is extensive, having appeared as Porgy and other roles with Utah Opera, the Boston Symphony Orchestra at Tanglewood, conducted by Sir Simon Rattle, Fresno Grand Opera, the Castleton Festival, conducted by Lorin Maazel, and on tour throughout the United States.
On the concert platform, Mr. Blackwell is highly sought after as the bass soloist in Verdi’s Requiem. He made his Carnegie Hall debut in the world premiere of Earnestine Rodgers Robinson’s Crucifixion in addition to performing works by Mozart at the Arts Festival in North Korea, the Fauré Requiem with the Fresno Philharmonic and Osride in Mose in Egitto by Rossini with the New Jersey Symphony Orchestra at Lincoln Center.
In the United States, Mr. Blackwell’s operatic engagements have included Leporello in Don Giovanni, Colline in La Boheme, Zuniga in Carmen for New York City Opera, First Nazarene in Salome and Bartolo in The Marriage of Figaro for Utah Opera, Sarastro in The Magic Flute for Fresno Grand Opera, Ferrando in Il Trovatore for Knoxville Opera, the King in Aïda and Melitone in La Forza del Destino for New Jersey State Opera and Tom in Un Ballo in Maschera for New Orleans Opera.
With Chicago Lyric Opera Mr. Blackwell’s roles have included Burnah in Amistad, Henry Davis in Street Scene, Cal in Regina and the Duke of Verona in Roméo et Juliette.
Recent engagements include Zuniga in Carmen with San Diego Opera and Méphistophélès in Faust with Valley Opera & Performing Arts.