Praised for her "luminous and intelligent singing," Kate Lindsey continues to redefine what it means to be a young opera star in the world of modern classical music.
She made her company debut as Zaida in The Turk in Italy (2011), returning as Angelina (Cinderella) in La Cenerentola (2013) and as Nicklausse/Muse in The Tales of Hoffmann (2017). She appears regularly on the world’s most prestigious opera and concert stages, including the Metropolitan Opera, Vienna State Opera, Royal Opera House Covent Garden, Bavarian State Opera, San Francisco Opera, Glyndebourne Opera Festival, Festival d'Aix-en-Provence, Théâtre des Champs-Élysées, Santa Fe Opera and Seattle Opera.
Her engagements for the 2018/19 season include starring in a new production of The Coronation of Poppea at the Salzburg Festival, with William Christie conducting, followed by a tour of the United States performing songs from her 2017 album Thousands of Miles alongside renowned jazz pianist Baptiste Trotignon. She returned to the Washington Concert Opera to sing the title role in a concert version of Gounod’s rarely performed Sapho, before ending the year with a pair of Christmas concerts in Austria singing excerpts from Hansel and Gretel. The new year sees Kate in a run of staged and concert operas, starting with a reprise of one of her signature roles as the Composer in Ariadne auf Naxos, with Franz Welser-Möst conducting the Cleveland Orchestra. She sings a concert performance of La Damnation de Faust at La Philharmonie de Paris, before singing in two Katie Mitchell productions – Ariadne auf Naxos at Théâtre des Champs-Elysées in Paris, followed by a revival in Caen and Bordeaux of the critically acclaimed Miranda (After Henry Purcell), with Kate in the title role. She will conclude the season in Fiona Shaw’s new production of Cendrillon at the Glyndebourne Festival, where she will play Prince Charming. (KateLindsey.com)