From: New York City, New York. LA Opera: Maenad in The Death of Orpheus (2020); Dorothée in The Anonymous Lover (2020); Priestess in Aida (2022); Female Chorus in The Rape of Lucretia (2023); Zipporah in Moses (2023). She was a member of the Domingo-Colburn-Stein Young Artist Program from 2019 to 2023.
She began the 2022/23 season covering the role of Elisabeth de Valois in Don Carlos at Lyric Opera of Chicago. In the summer of 2023, she will perform the role of Lady Clarence in Camille Saint-Saëns' rarely performed Henry VIII at Bard SummerScape.
Engagements for the 2021/22 season include the leading role of Giorgetta in Il Tabarro with Opera Santa Barbara. In the summer of 2021, she was an Apprentice Artist with Santa Fe Opera, where she performed the role of a Bridesmaid in The Marriage of Figaro. She was recently seen as the First Maiden in Mörder, Hoffnung der Frauen with the LA Philharmonic.
Some previous credits include Camelot with the Lincoln Center Theater, Kathleen Battle’s Underground Railroad recital, the First Lady in The Magic Flute, Lady Macbeth in Bloch's Macbeth, the Female Chorus in The Rape of Lucretia, and the title role of Penelope. She was a featured artist in Lee Mingwei’s exhibit Sonic Blossom with MetLiveArts.
Ms. Fox has been honored with several awards including grand finalist in the Metropolitan Opera National Council Auditions, first place winner of the Joan Taub Ades Vocal competition, semi-finalist in the Elizabeth Connell dramatic soprano competition, and the Lotte Lenya emerging artist award.
An alumna of the Chautauqua Opera and Opera Saratoga young artist programs, Ms. Fox holds Bachelor and Master degrees from the Manhattan School of Music.
Learn more at AlayshaFox.com.
