The American composer John Corigliano continues to add to one of the richest, most unusual, and most widely celebrated bodies of work any composer has created over the last 40 years. His numerous scores—including three symphonies and eight concerti among over 100 chamber, vocal, choral, and orchestral works—have been performed and recorded by many of the most prominent orchestras, soloists, and chamber musicians in the world. Recent scores include One Sweet Morning (2011) a four-movement song cycle premiered by the New York Philharmonic and Stephanie Blythe; Conjurer (2008), for percussion and string orchestra, commissioned for and introduced by Dame Evelyn Glennie; Concerto for Violin and Orchestra: The Red Violin (2005), developed from the themes of the score to the François Girard’s film of the same name, which won Mr. Corigliano an Academy Award in 1999; Mr. Tambourine Man: Seven Poems of Bob Dylan (2000) for orchestra and amplified soprano, the recording of which won the Grammy for Best Contemporary Composition in 2008; Symphony No. 3: Circus Maximus (2004), scored simultaneously for wind orchestra and a multitude of wind ensembles; and Symphony No. 2 (2001 Pulitzer Prize in Music). Other important scores include String Quartet (1995 Grammy Award, Best Contemporary Composition); Symphony No. 1 (1991 Grawemeyer and Grammy Awards); the opera The Ghosts of Versailles (Metropolitan Opera commission, 1991; International Classical Music Award, 1992); and the Clarinet Concerto (1977). One of the few living composers to have a string quartet named for him, Mr. Corigliano serves on the composition faculty at the Juilliard School of Music and holds the position of Distinguished Professor of Music at Lehman College, City University of New York, which has established a scholarship in his name. For the past 14 years, he and his partner, the composer-librettist Mark Adamo, have divided their time between Manhattan and Kent Cliffs, New York. More information is available at www.JohnCorigliano.com.